Without money being an inhibiting factor, it’s easy for anyone to play the games and create fan content, and before long anyone can be Junko-posing their way to viral stardom.
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The age of the series helps with accessibility, too, with cheap rereleases of the entire franchises readily available on consoles, PC and mobile. This makes it perfect internet fodder.Ī fan can recognize these characters at a glance due to their distinct features despite a massive cast, and the extremities of the story, dialogue and acting make it ripe for being repackaged and reproduced in exaggerated memes. Everything about the series, from its larger-than-life personalities, the concept of a death game run by a monochrome talking bear, to the class trials to determine their fates before a gnarly execution – it revels in the melodramatic while still having something to say. Part of the appeal of Danganronpa is just how extreme it can be character designs are wild and embody their unique talents and traits, while each is visually distinct even with the limitations of its school setting. Yet while these recognizable icons steal the spotlight, it’s easy to overlook Danganronpa’s influence in shaping online content and discussions of the medium amongst fans of Japanese pop culture, particularly younger audiences. We live in a world where Naruto is in Fortnite and Doraemon and Bananya have their own Gucci collections, while US politicians are playing politics with Attack on Titan anime edits. Over the past decade, the growth of online streaming has helped anime explode from a dedicated niche to a defining voice in pop culture around the world. Earlier this year, a sound that mixed voice lines from the anime adaptation of Danganronpa with the song Nursery by Bbno$ resulted in everyone from celebrities to e-boys strutting their stuff to Junko laughing at the idea that ‘ anime is an important part of our culture’. The influence of Danganronpa is unavoidable amongst TikTok’s large anime and cosplay communities, and trends derived from the series have even spread beyond these fandoms to dominate the app-wide trending topics. TikTok is arguably the biggest catalyst for this at the time of writing, videos shared under the Danganronpa hashtag hold a cumulative 16.8 billion views, mostly from people sharing fan-art, cosplays and more, recreating their favorite moments and attaching their favorite characters to whatever trends are popular on the platform at the time. Indeed, looking back at the years between the release of Danganronpa V3 and the upcoming Danganronpa Decadence collection that brings the original trilogy to Switch alongside an all-new spin-off, it would be more accurate to say Danganronpa never left.Įarlier this year, interest in the series on Google search results peaked at a higher level than at any point in the franchise’s history despite a lack of new official content.
To further add to the sense of finality that came with the release of V3, Kodaka left Spike Chunsoft soon after the game’s launch to co-found his own studio, Too Kyo Games.įast forward to 2021, however, and the series is more popular than ever. Seven years on from the initial game’s release and after three numbered entries, a spin-off and a slew of re-releases and anime and manga adaptations, the release of Danganronpa V3: Killing Harmony seemed to bring the franchise to a conclusive, if polarizing, end. The series made its Japanese debut in 2010 for PSP, later making its way internationally in 2014 for the Vita. Amongst this flashy murder mystery is a story centered on the clashing ideals of hope and despair. Monokuma explains to these students that they will remain trapped inside their school/deserted island/establishment for the rest of their lives unless they can murder another student and be found innocent in the forthcoming class trial. Each character is a new student deemed to be the ‘Ultimate’ in a variety of conventional and non-conventional activities ranging from programming to assassination. In each entry, a group of high-school students finds themselves trapped in a death game by the maniacal Monokuma. Junko is the primary antagonist of the Danganronpa series, visual novels from the mind of Kazutaka Kodaka and published by Spike Chunsoft.
With large blonde hair protruding from the sides of her pigtails and a monochrome bear at her side, Junko Enoshima’s design is certainly memorable.
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